Unique Critiques

An Ember in the Ashes

Fantasy Book Review

Fantasy Book Review

Sabaa Tahir wrote an excellent novel.  Rumor has it that it is going to be almost immediately turned into a movie at the hands of Paramount.  This shouldn’t be a surprise, Young Adult fantasy seems to be the only sub-genre in fantasy that can hold the attention of summer movie goers for a full two hours.  While that might sound like a complaint, HBO has taught us that TV serials are a much better place for the in-depth exploration of lands like Westeros, but I digress.

The world Tahir builds takes place in and around Blackcliff Academy.  The place feels like a much darker military school version of Hogwarts, where every authority figure makes Snape look like a cuddly teddy bear of an uncle.  The conflict is between two classes, castes almost, in the book: the Martials and the Scholars.  The Martials are the ruling class and they treat the peasant Scholars with a disdain worthy of King Leonidas.  This is Sparta but a darker, meaner Sparta.

The story is told from the alternating viewpoints of Elias, a Martial Mask in training, and Laia, a scholar wanting to do nothing more than save her brother and survive to tell the tale.  Elias seems to be the only sane Martial in the academy.  He clings to his humanity as the rest of his brethren seem resigned to having that humanity beaten or traumatically ripped from them in a series of painful trials.  That is Blackcliff, an academy with the singular goal of turning children into ruthless, domineering assholes.  Elias does his best to push back against this environment without getting himself killed in the process.  Symbolism is rife in the form of the actual Mask these young killers are asked to don.  The mask itself is an ethereal quicksilver that melds to one’s face.  Elias is the only one in his graduating class that still takes the Mask off, physical ripping the silvery tendrils of the parasitic device from his face, if only in the confines of his own room.  Symbolizing the struggle of pushing back against an autocratic regime in this way makes for some really powerful visuals.  This struggle is at the heart of the Elias character and colors all of his actions.

Laia, on the other hand, is a coward.  Or she thinks she’s a coward anytime she runs from certain death situations.  She beats herself up over this to an extreme that seems a little trite.  Again and again, she claims ‘I don’t have the courage to do something like that,” and then goes ahead and does it.  This is YA fiction, so it can be forgiven.  We do get it, everyone faces challenges and you have to woman up to get it done.  Laia’s challenge is that the Masks came and took her brother for possessing militaristic drawings that are a serious no-no for the downtrodden class.  She then spends the novel trying to break her brother, Darin, out of prison.  This brings her in contact with the Scholar resistance which starts her whirlwind into a life of espionage and adventure.

Inevitably, the two characters cross paths.  This is where the love triangle, or love star of David, begins.  There are multiple triangles being juggled as these characters wrestle with young love in an era of repression and sadism.  The love stays very PG and innocent throughout but Tahir does a good job of making every character in each triangle worthy of love and our empathy.  The characters are well thought out and very identifiable.  They may not be as complex as you will find in a Martin or Rothfuss novel, but this is YA fiction where black and white necessarily holds sway.

There are not a ton of lessons to learn within these pages but it is a very fun, adrenaline filled read that is well worth your time.

The Ghost Brigades (Old Man’s War Book 2)

Science Fiction Book Review

Science Fiction Book Review

Scalzi is the new master of science fiction.  The first book of his that I ever read was Old Man’s War.  That novel took military science fiction in a cool new direction.  The central concept behind it was that when folks age to a certain point, mid seventies being most common, one has the option of trading in an old broken down husk of a body for an upgraded slightly saurian version.  The trade-off is that you have to join the military.  This gives doddering old grandmothers and grandfathers the ability to get a 1UP on life, but in a brand new game.  In that first novel, he hits all the right notes.  The characters are well done, the plot moves you forward at just the right pace and he puts the reader right next to our protagonists as if you had just joined the military yourself.  Only the greats can bring you there.  I know I’m ready to sign up once I reach the Alzheimer years.

One of my big concerns about sequels is that it just tastes like the same old crackers the second time around.  Scalzi gets out in front of this brilliantly.  We are introduced to a brand new cast of characters but this time instead of the enlisted folks we get introduced to the special forces, aka the Ghost Brigade.  Don’t want to throw any spoilers in there for those that haven’t been introduced to the series but to join the special forces requires an even greater jump than just getting old.  The ‘Ghost’ moniker should give you some idea of how they pull in new recruits.  This somewhat grizzly aspect of enlistment leads to all sorts of interesting philosophical conundrums.  These are all acknowledged and dealt with without resorting to any lazy deus ex machina shortcuts.

The thing I like most about Scalzi’s books, and this is not exception, is that they bring all the ingredients of good science fiction into a delectable stew that just doesn’t get old.  Let’s start with the technology.  Good sci-fi treats technology in the same way that good fantasy treats magic.  It’s got to be fresh and it has to take you somewhere new.  The Ghost Brigades takes you places that you could not have gotten on your own.  Their recruitment methodology and their means of communication are incredibly fresh.  The author also makes you feel a little bit of discomfort from both which is always a good thing.  Anytime I get out of my comfort zone while reading a book, I know that something new is happening.

The world building is also enjoyable.  For sci-fi you have the entire universe to play with but sadly, many authors seem to get hemmed in by those that defined the genre before them.  Not true of this universe.  We’re dealing with just a few alien races and we get the sense that these races are still in the stage of feeling each other out.  This is fertile ground to take diplomacy in to new and interesting places.

Finally, the character building is excellent.  We are introduced to a full squad of special forces folks and this is military sci-fi, so you know that the folks we start with are not all going to be there at the end of the book.  Scalzi does a great job of making each loss painfully felt.  Each loss has the added benefit of determining and hardening the characters that make it out alive.  He does his best to answer the question of ‘what would I have done if I was thrown into that situation?’  The answers aren’t all the heroic, easy way out, ones either.  This is definitely not a Disney story and I wouldn’t have it any other way.

Boundary Crossed (Boundary Magic Book 1)

Fantasy Book Review

Fantasy Book Review

Boundary Crossed is an entry into the contemporary or urban fantasy genre from Melissa Olson.  Contemporary fantasy, unlike high fantasy, happens in today’s world.  I first got into contemporary fantasy with Jim Butcher’s Dresden files.  When that first of that series came out it felt really new and fresh.  Butcher created a wizard that lived in Chicago and advertised his profession, as a wizard, in the Yellow Pages.  He treated all cases like some film noir detective with the customary chip on his shoulder.  I loved it.  This then expanded into Kim Harrison’s Hollows world which, if I remember correctly, is based within some parallel version of Cleveland.  Felt a little derivative, but not bad.  Sadly, this turned into its own genre.  Within ten years there were druids, weather witches, elves and every other role playing archetype in damn near every city in the United States.  The big problem I have with the genre is that it has become as formulaic as a recipe for instant vanilla pudding.  Pick a city, add magic, werewolves and vampires.  Stir.  There is no world building, very little in the way of creativity and it just got lazy and boring.

Boundary Crossed introduces us to a witch living in Boulder, Colorado.  To be fair, Olson is a good writer, she develops her characters well and puts you directly into the story.  It’s the derivative content that I have a problem with.  You can imagine people sitting around, drinking, or since we are in Colorado, passing the peace pipe around, and someone says, “Duuuude, wouldn’t it be cool if you woke up one morning and found out you were a witch….”.  Everyone looks at the speaker and says, “Whoa man, that would be cool.  You just blew my mind.”  The problem is, every other damn TV show and every third fantasy novel coming out these days does the exact same thing.  Enough.  Unless you have some new creative spin to add to the genre, just stop.  The world needs less me toos and more creative content.

Olson’s slightly new addition is that our Boulder witch, Lex, is a boundary witch.  Boundary witches draw their power from death, so more necromancy than witch.  Lex is a bit of an outcast from her family in that she chose to join the army instead of go to Stanford.  While in the army, she and her unit got torn up pretty badly and in a scenario where she should have died, she beat death back and came out of it with nothing more than a couple of scars.  This is the setup for her nascent boundary witch powers.

Our heroine makes her way back home to Colorado where she is forced to deal with a significant loss in her family.  This loss puts her in a funk that has her life spiraling into a depressing, dead-end job working at the local Qwick-E mart.  Vampires, enter stage left.  The vampires end up kidnapping her little niece that is the last link to her lost family member.  This kidnapping starts Lex on her adventure into magic and mayhem.

Again, Olson is a solid writer and she builds a couple of characters that you do care about throughout the book but there is nothing new to see here.  I’m done with the series and the genre.  Contemporary fantasy has become the romance genre of the 2000s.

The 8 Qualities of Drama Free Teams

Business Book Review

Business Book Review

This was a complete waste of time.  There is a service out there, Blinkist, that creates the business version of cliff notes.  Blinkist would have nothing to do with this book because it is already cliff notes.  The book is nominally about creating teams that exist without the drama.  However, when reading the book you get the sense that Mcintee didn’t do any research. I’m sure that he is a great consultant, the references he makes in the book all talk about the folks he has helped, but when I pick up a business book, I’m looking for real insight into the topic of the book.  This was 53 pages of sloganeering.  If Fox News were to write a business book, it would look a lot like this.  Every three paragraphs or so, one of the tidbits of wisdom that our author puts forth is put in a nice little blue box, so everyone knows, this is important.  Writing mechanism like this are lazy, insulting and are typically used to cover up a complete lack of depth in the subject matter.

There was also a slight religious undertone throughout the book that I find completely out of place and distracting.  Let’s keep the business books about business please.

All that being said, there are a couple of true tidbits of wisdom within these pages.  None of these are groundbreaking or original but they do bear repeating.  When he talks about teams, he goes into the power of empowerment, “Drama can occur in your team if they feel like they have no choice.  When you feel disempowerment it’s very easy to become a victim and blame others.  For many, victim behavior is their modus operandi.  They feel like they have no choice so they play the victim.  Empowering your team with choices helps take out the drama.”  This is very true when working with teams.  It goes back to that old maxim of, we like to hire smart people, so treat them like they are smart and give them enough autonomy to do what they choose will best help the company and the team.  Mcintee then goes into how ownership plays a role in this as well, “Ownership is the most powerful motivator in business.  It’s the organizations that create a culture of ownership that become the most successful.”

He covers leadership in his minimalist fashion as well.  One little tidbit that I really did like was his comment on building a team that is like the leader, “Some leaders work to build a team of people that are exactly like them.  Many times this produces a dysfunctional team.  Building a team this way is like marrying your cousin.  After a while, all your kids end up idiots.”  It’s not often that you get to see incest references in a business book, well done sir.  He makes one other comment about leadership that is worth mentioning, “One mistake that I see leaders continually make is to only give answers to their team, never asking them questions.  If all you ever have are answers for your people, they will always come to you with questions.”  I agree with this comment wholeheartedly.  Typically, your employees are the ones in the trenches that understand the details of what is actually going on.  Conversations with these employees should be mostly a leader asking questions of their staff.

Skip it, not worth your time or your money.

Promise of Blood (Powder Mage series Book 1)

Fantasy Book Review

Fantasy Book Review

This is my first attempt at reading any McClellan and I liked it enough that I’ll give his second attempt a whirl.  He does some solid world building and definitely tries something new with magic.  Experimentation in this genre is a must with all of the candidates out there these days.  He doesn’t go too far with his experimentation though, nothing that is completely out there like a Rothfuss or a Sanderson.  This does make the world a little more identifiable though because those that build a brand new world and don’t have the literary chutzpah to pull it off almost always end up in disaster.  Again, it was good, but not groundbreaking.

The story begins with a coup.  One of our main characters has overthrown the royalty and has grand plans to build a democracy via the baby step of aristocracy.  The coup and the world we end up in seems a hell of a lot like the French revolution.  From the start, I felt like I was thrown into Les Mis, sans the musical numbers.  This did mean that we are in an age of gunpowder which is a risky proposition.  Once science and industry get to a certain level in a world, adding magic to that world is kind of like adding drama to pornography, it feels awkward, unwanted and out of place.  McClellan actually does a pretty good job of acknowledging that and goes with it anyway.

The key to making the science to magic transition kind of work is that gunpowder is actually the medium used by a new type of mage, the powder mage.  The powder mage eats or snorts some gunpowder which heightens their senses and reflexes and gives them finely controlled mental power over their ballistics.  These powder mages are in regular struggles with the Privileged, the more traditional elemental style magic wielders.  This battle is interesting primarily because it feels like a microcosm of the struggle of science and industry taking on the superstitions of a bygone era.  The other element he brings to the powder mage is that too much powder is addictive.  This is not new in magical genres, the draw of power is always addicting, but what is new is that this is the closest parallel I have seen to drugs.  You can imagine characters literally snorting this powder off of the bare asses of industrial revolution style hookers.

The other angle that he takes that really made the plot move along was by introducing a detective into the mix.  I imagined this character as a spitting image of Hercule Poirot.  Many times in fantasy novels, there is a mystery lurking that needs solving.  McClellan effectively turned this into a plot tool by creating a character that solves this mystery while riding shotgun with the reader.

Finally, I did like the grittiness of the world.  The author doesn’t pull any punches, major characters die, and he takes on real subjects like democracy and addiction.  The writing is good but I think as McClellan hones his craft, he has the opportunity to be much better.

Creativity Inc. : Overcoming the Unseen Forces that Stand in the Way

Business Book Review

Business Book Review

I picked up Creativity Inc. because I’ve always been enamored with Pixar.  They were the first to build a computer generated feature film and they did it with style.  Images of Pixar, in my mind, always came with a floating head of Steve Jobs behind it as he took another failing genre and turtle necked it into yet another success.  That’s the outsider’s image of this company because of how much larger than life Jobs was.  As I read more about the company in other forums, like Wired, I started to pick up on the other players that actually made Pixar a reality, guys like John Lasseter and Pete Docter who were some of the creative minds behind the wonderful films that Pixar consistently cranks out.  Who I have never heard of though, was Ed Catmull, Pixar’s president.  After reading the book, this is no surprise.  He is an incredibly unassuming characters and clearly not one to boast about his own accomplishments, which are many (he invented texture mapping as just one example).  He gives all the credit of creativity to others as if he doesn’t have the tools to tell a great story of his own.  After reading the book though, this is clearly bullshit because he turns a business book about Pixar into a wonderfully crafted story that I simply could not put down.  The guy is a class act through and through.

He also has a lot to teach.  Ed states that the thesis of the book is ‘there are many blocks to creativity, but there are active steps we can take to protect the creative process’.  A big part of this is that ‘managers must loosen the controls, not tighten them.  They must accept risk; they must trust the people they work with and strive to clear the path for them; and always, they must pay attention to and engage with anything that creates fear.  Moreover, successful leaders embrace the reality that their models may be wrong or incomplete.  Only when we admit what we don’t know can we ever hope to learn from it.’  This is a really powerful statement and one that most corporate folks have no interest in hearing.  One of the underlying themes to the book is that candor is critical to success.  Being truthful with others and yourself is the only way to learn, or as Catmull puts it: ‘Unhindered communication was key, no matter what your position.’

He goes deep into the interplay between teams and setting up an environment where candor can thrive.  One of his pieces about teams that I loved was ‘Always take a chance on better, even if it seems threatening.’  This is a critical mindset to have for anyone looking for truly excellent team members.  Put your own ego aside and get smarter by hiring smarter people.  Is there a chance that they might replace you?  Sure, but there is a far larger chance that they are going to make you better.  Once this environment is set up let these smart people be smart!  It seems obvious but this is probably the single biggest reason why teams fail, managers don’t trust their people to fix stuff on their own.  Catmull reinforced this with some quotes from Deming the most interesting of which was, ‘You don’t have to ask permission to take responsibility.’  He expands on Deming’s work by focusing even deeper on the people, ‘Find, develop, and support good people, and they in turn will find, develop, and own good ideas.’  These ideals can seem Utopian but Catmull goes on to show how they actually accomplished them at Pixar.

I really enjoyed the part of the book where he goes deeper into what he means by candor, ‘Candor is forthrightness or frankness – not so different from honesty, really.  And yet, in common usage, the word communicates not just truth-telling but a lack of reserve.’  This is part of the reason why the book is so enjoyable because this is also how he writes, he doesn’t pull any punches, he is just matter of fact about things that others might tie emotional angst to.  For example, ‘And yet, candor could not be more crucial to our creative process.  Why? Because early on, all of our movies suck…to go, as I say, from suck to not-suck.’ A big part of candor though is to focus on the problem and not the person.  He stresses this again and again, you need to support and help each other by being truthful.

He has great advice around failure.  He doesn’t look at failure as a necessary evil but as not evil at all.  In fact, it is necessary to the creative process.  He states that, ‘failure is a manifestation of learning and exploration.  If you aren’t experiencing failure, then you are making a far worse mistake: You are being driven by the desire to avoid it.  And, for leaders especially, this strategy – trying to avoid failure by out-thinking it – dooms you to fail.’  This is easy to state but how does one enact this in real practice.  Catmull states that, ‘Part of the answer is simple: If we as leaders can talk about our mistakes and our part in them, then we make it safe for others.’ Failure is tightly coupled to fear and we need to ‘uncouple fear and failure – to create an environment in which making mistakes doesn’t strike terror into your employee’s hearts.’  He goes on to state, ‘The antidote to fear is trust.’  To show that you trust your employees means that you level with them.  The default should not be to err on the side of secrecy but instead, treat them as if they are smart people worthy of trust.

One of the unavoidable results of candor is conflict.  Ed states that this is natural because, ‘The key is to view conflict as essential, because that’s how we know the best ideas will be tested and survive.  You know, it can’t only be sunlight.’  Once again though, this is much easier in theory than in practice.  ‘It is management’s job to figure out how to help others see conflict as healthy – as a route to balance, which benefits us all in the long run.’

He also covers some really good stuff when it comes to what hides in the shadows, the hidden, or as Rumsfeld so inelegantly put it, the unknown unknowns.  He talks about when other companies have failed in the past, ‘I believe the deeper issue is that the leaders of these companies were not attuned to the fact that there were problems they could not see.  And because they weren’t aware of these blind posts, they assumed that the problems didn’t exist.  Which brings us to one of my core management beliefs: if you don’t try to uncover what is unseen and understand it’s nature, you will be ill prepared to lead.’

The stories he tells about Pixar and the merger with Disney were very well written in an introspective way.  it also showed his ability to see if these ideals he talks about could transfer to another organization.  judging by the successes Disney has had since, it’s clear they did.

The final piece I’ll cover in this review is a cool way that Pixar attacked some of their big problems.  They went to their employees and asked, how would you solve these problems?  They did this through what they called Notes Day.  They asked a series of questions to their people and facilitated the process as their people solved them.  This generated a huge amount of buy in, creativity and candor that reinforced the philosophies he talks about through the entire book.

Read it.  It’s an excellent book.

Assault Troopers (Extinction Wars Book 1)

Science Fiction Book Review

Science Fiction Book Review

I’ve read and reviewed Heppner before with the Lost Starship series.  That series was a B, B-, as far as quality of science fiction was concerned.  After about a hundred pages of this tripe, I found myself looking back at that B writing in a wistful sort of malaise.  This book turned into a task for me that I felt I had to knock off the honey do list.

The premise was interesting if unimaginative.  Aliens show up above earth and nuke us all to hell.  The only survivors are those that are nowhere near cities or even villages.  Our survivors are from ultra remote places like Antarctica and nuclear submarines.  Due to their isolated lifestyles, they are pretty hardy folk with an abundance of attitude.  One would think this would make for some interesting characters, right?  Sadly, wrong.  These characters were pulled directly from the vanilla wafer box.  Read it a week ago and can’t even remember the name of the main character.

Our team of Saltines figures out a way to take over one of the ships that is hell bent on the last remnants of mankind’s destruction.  In so doing, they introduce themselves to the players on the Galactic stage, all of whom fit nicely in different flavor douche bag molds.  Our main character arranges a way to extend humanity’s existence provided that we play the role of mercenary soldier.  So, our first experience with aliens turns into a Blackwater scheme.  There is something to aspire to, yay us!

This mercenary group then goes through their training stage.  This is when I almost put the book down in disgust.  It felt like the training session in Ender’s Game but boring and meaningless.  It was similar to reading filler, like a sci-fi version of a Cosmo sex quiz.  Once we got through this painful interlude our team is sent on their first mission.  The mission is a success but every success comes with high casualties.  The problem with this is that these casualties are meaningless to the reader because they are just random numbers that have generated no empathy from the reader or from our protagonist.  This makes our main character either a ruthless psychopath or a poorly developed automaton.  Pretty sure it’s the latter.

Not going to spend anymore time on this as it’s unnecessary to get cruel.  To summarize, the characters are weak and the plot is a derivative meandering through a river of mediocrity.  If offered to read this one, even for free, take the pass.

The Skull Throne (The Demon Cycle Series Book 4)

Fantasy Book Review

Fantasy Book Review

Every once in a while you run into a world that is so interesting that the world itself keeps you engrossed to the point that you will read anything placed in it.  This is true of Brett’s Demon Cycle series.  It requires a solid storyteller to get you so engaged but though he does a solid job of turning a phrase, that’s not what keeps you coming back.  It’s the amazing idea behind the world that is almost addicting in its ability to draw you in.  To paraphrase quickly here, all of our characters live in a world where demons rule the night.  Once the sun goes down, these demons start to materialize pretty much everywhere on the surface.  The only protection from these demons are magical wards that they cannot cross.  There is no way to harm these demons and if you are caught un-warded with them at night you’re pretty much screwed.  Our main characters spend their lives fighting against this nighttime slavery to the indoors in an effort to understand what they can do to change this fate.  Needless to say, they start to find ways to fight back and these techniques start to change these characters in fascinating ways.

This is the fourth book in the series and before this came out at the end of March I re-read the three that came before it and the short stories: Brayan’s Gold, Messenger’s Legacy, and The Great Bazaar and Other Short Stories.  I saw none of that as wasted time, that’s how compelling the idea of the world is.

Going to focus this review on the fourth book.  Like any good series, the third book ended with a cliffhanger, which was quite literal in this case.  Two of the main characters, the Warded Man and the Shar’Dama Ka face off in an epic fight to determine who will deliver the world from evil.  It doesn’t go well for one of them.  The story picks up shortly after that battle.

My biggest concern with the book is that it starts to introduce quite a few new characters.  This is always a red flag to me when the author starts to do this four books into the series.  Gives serious flashbacks to Jordan when he got muddled down with hundreds of characters that were so varied that you start to lose track of who they are or worse, why you should care about them.  Brett doesn’t go that far but it is still a little disconcerting.  There is a great cast of characters already, the new additions don’t seem to add much to the enjoyment of reading the books and they tend to just muddle the plot lines.  You can always tell when this is happening when you start confusing one character with another.  I started doing this with the fourth book and I read it on vacation pretty much straight through.

On the flip side, he takes a great turn for the better by starting to kill off some of the characters, including one of the main characters, R.R. Martin style.  This is a critical step in any great series because it shows that everything is on the table.  There are no Disney endings in this one.  Too many fantasy writers fall so in love with their main characters that you know that there is no chance that they will be killed off.  This makes the danger that they face less real and identifiable and ultimately kills a lot of good stories.  There needs to be that fear that somebody can actually die to bring real tension to a story.

My other gripe with this book was that the main story didn’t move forward much.  Our characters become more established and comfortable with their new powers but there was never that moment where they took the next big stride forward in the war.  They talked about it a lot, but it never actually came about.  This was Jordan-esque as well and just as disappointing as it was in his books.  When you read a 600+ page novel, you expect some level of a money-shot at the end.

Still very enjoyable and I will still be looking very forward to the next novel in the series but this is not his best work.

Kraken

Fantasy Book Review

Fantasy Book Review

I’ve never read any Mieville before but damn this dude can write!  The book starts off pretty basic, almost like a pulpy Dan Brown novel with our lead character working in the Darwin museum in London.  He gets into some of the intricacies of the life of the curator but just enough to keep you interested.  You start enjoying the main character a bit and what he is into then one of his charges, a giant dead squid, gets stolen.  Then everything goes off the fucking rails.

Once on the crazy train, you get thrown into an alternate London that reminded me a bit of Gaiman’s book, Neverwhere.  Nothing is as it seems but it is delightfully insane.  Half the time I was reading the book, I had no idea what was going on.  I’m sure there were quite a few allegories going on that went right over my head but it didn’t matter.  The plot was a complete mess but that didn’t matter either because it was so fun to read.

Picasso once said, “Learn the rules like a pro, so you can break them like an artist.”  Mieville is an artist when it comes to the English language.  I consider myself to be pretty well read with a not half bad vocabulary, but as I was reading the book on my kindle I found myself looking up words every page.  The funny thing was that half of these words didn’t have a definition.  That’s where the breaking of rules comes from.  Mieville has such a handle on the language that he simply makes words up when an appropriate one can’t be found to describe the batshit crazy that is happening in his story.  Words like hereseopoly, which I took to mean as the organized gathering of heretical groups.  These things just flow naturally off the page to the point that you stop looking stuff up and just roll with it.  Here’s one other example of the brilliance of his writing, “They had sent their alarums in parachemicals, waves of pathogen anxiety.  They stimulated immune response in the factory grounds.  Birthing of brick angles; emerging from hollows in boscage; unwinding from the ruined car; London’s leucocytes came on in attack.”  There are passages like this on every page.

Two of the best characters in the book were Goss and Subby, the demonic duo that chases young Billy Harrow throughout the streets of London.  These guys were very similar villains to Gaiman’s Mr Croup and Mr Vandemar in that they were effortlessly evil and seem to revel in their insidiousness.  It’s that joy of evil that seems to make the best villains almost comedic, kind of the Dr. Evils of alternate London but not quite so on-the-nose.

It was very obvious to me in reading the book that Mieville was having a blast writing it.  That joy comes across in waves.  Grab your board and let yourself be taken by them into the deeps.  Kraken is worth the ride.

The Hard Things About Hard Things: Building a Business When There Are No Easy Answers

Business Book Review

Business Book Review I read a fair number of reviews about The Hard Thing About Hard Things and many of them complained about the self aggrandizing nature of the book.  In the first couple of chapters when Horowitz is establishing his own background/credibility there is a bit of this but it’s not truly self aggrandizement.  He does go on a bit too long and if you are the type of person that judges a book by the first couple of chapters then sets it down, you are going to set this one down.  While it may go on for a bit too long, it is very honest about Horowitz’s experience and this is an underlying theme throughout the book: be honest with your investors, your employees but most importantly yourself.  Anything you put sugar on will eventually gather flies and whatever gathers flies will eventually gather maggots as it starts to slowly rot.  I took a lot of notes while reading this book as the minute you get out of the background introduction, Horowitz has a lot to teach.

A good amount of the book does focus on how lonely it is to be at the top.  This conversation starts early on when Horowitz writes about partnership and business relationships, “Most business relationships either become too tense to tolerate or not tense enough to be productive after a while.  Either people challenge each other to the point where they don’t like each other or they become complacent about each other’s feedback and no longer benefit from the relationship,” he writes.  This quote is about truth as well and one of the main reasons why friends really struggle when creating a company together.  That constant challenging is productive internal competition.  Just as when companies compete, the consumer ends up winning, when employees have strong feelings about how to succeed and are not afraid to share them, the company ends up winning.  He spends a good amount of time talking about how painful it is to manage your own psychology when running a company.  Part of this is because one of the rookie mistakes all CEOs make early is putting it all on their shoulders.  Many CEOs are afraid that sharing bad news with employees will upset their people more but in fact it is critical that employees know both the good and the bad.  Bad news travels fast anyway so telling it like it is will always set precedent for truth and will at the very least never make a CEO look uninformed.

One of the business imperatives that he lays down early comes from one of his previous bosses that was fond of saying, “We take care of the people, the products, and the profits-in that order.”  This segues nicely into him talking about how you take care of your people starting with taking the time to talk about the value of training.  In one section he even does the math on training: “Let’s count on three hours preparation for each hour of course time – twelve hours of work in total.  Say that you have ten students in your class.  Next year they will work a total of about twenty thousand hours for your organization.  If training efforts result in a 1% improvement in your subordinates’ performance, your company will gain the equivalent of two hundred hours of work as result of the expenditure of your twelve hours.”  If you ever find yourself in a situation where you need to justify training, I highly recommend falling back to this argument.  Even throw some dollar signs in there to make your point.  I guarantee you will get the budget to train.

As part of this training, he also emphasizes how important it is that each employee understands what they are accountable for and they are getting the investment in “the knowledge and skills that they need to do their job.”  This advice almost sounds Dilbert-esque but it is amazing how many manager have absolutely no idea how important this is.  How the hell can an employee do a good job if they don’t know what a good job looks like?  This isn’t necessarily the fault of the manager, though they certainly share in the blame, but more the fault of the organization.  If the organization is not training their managers in setting clear expectations, shame on them.

He then goes into a rant on the importance of a good product manager.  This section of the review will be quote heavy because there is a lot of gold in this section of the book.  If you have ever worked with a poor product manager, and I’m sure you have because there are a shitload of them out there, this should resonate.  Horowitz states, “A good product manager knows the context going in (the company, our revenue funding, competition, etc…) and they take responsibility for devising and executing a winning plan (no excuses).  Bad product managers have lots of excuses.”  He goes on, “Good product managers crisply define the target, the ‘what’ (as opposed to the ‘how’), and manage the delivery of the ‘what’.  Bad product managers feel best about themselves when they figure out ‘how’.  Good product managers communicate crisply to engineering in writing as well as verbally.  Good product manager don’t give direction informally.  Good product managers gather information informally.”  I’m not stopping until all these gems are on the page, “Good product managers create collateral, FAQs, presentations, and white papers that can be leveraged by salespeople, marketing people, and executives.  Bad product managers complain that they spend all day answering questions for the sales force and are swamped.  Good product managers anticipate the serious product flaws and build real solutions.  Bad product managers put out fires all day.  Good product managers take written positions on important issues (competitive silver bullets, tough architectural choices, tough product decisions, and markets to attack or yield).  Bad product managers voice their opinions verbally and lament that the ‘powers that be’ won’t let it happen.  Once bad product manager fail, they point out that they predicted they would fail. Good product managers err on the side of clarity.  Bad product managers never explain the obvious.  Good product managers define their job and their success.  Bad product managers constantly want to be told what to do.  Good product managers send their status reports in on time every week, because they are disciplined.  Bad product managers forget to send in their status reports on time, because they don’t value discipline.”  If you’ve ever worked with a shit product manager, you should recognize all of the BAD sections above.

He then talks about scaling a company and the pain of bringing in big executives into start-ups.  This causes what Horowitz calls a rhythm mismatch.  Big company executives are “conditioned to wait for the emails to come in, wait for the phone to ring, and wait for the meetings to get scheduled.  In your company, he will be waiting a long time.”  This is dangerous because a big company exec will have no idea how to truly manage a start-up and everyone will be looking at them as if they are nothing more than a pimple on your CEO’s ass as he/she sits and waits for things to happen.  He’s got other valuable insights on hiring the right people but none of this is new.  Personally, I think Simon Sinek’s book on teams, Leaders always eat last, is far stronger in this area.

One area of the book I did love was his advice on one-on-one meetings.  If you have ever sat through painful versions of these meetings, it’s worth a look.  Here were some of the best quotes, “The key to a one-on-one meeting is the understanding that it is the employee’s meeting rather than the manager’s meeting.  This is the free-form meeting for all pressing issues, brilliant ideas, and chronic frustrations that do not fit neatly into status reports, email, and other less personal and intimate mechanisms.”  If the employee struggles in setting the agenda, Horowitz goes on to write, “Some questions that I’ve found to be very effective in one-on-ones: if we could improve in any way, how would we do it?  What’s the number-one problem with our organization? Why?  What’s not fun about working here?  Who is really kicking ass in the company?  Whom do you admire? If you were me, what changes would you make?  What don’t you like about the product?  What’s the biggest opportunity that we’re missing out on?  What are we not doing that we should be doing?  Are you happy working here?”

Horowitz closes the book by stating what his VC company looks for when investing.  “We look for three key traits: The ability to articulate the vision, The right kind of ambition, The ability to achieve the vision.”  He certainly holds a bias for technical founders as they are typically the innovators and no one but the innovator can truly preach the idea.  He then lists all the big companies that really made it that were built by the technical founder: HP, Intel, Amazon, Google, Facebook, etc…  He closes the book with, “the most important lesson in entrepreneurship: Embrace the struggle.”  Let’s be honest, starting a company is hard and this is a book about The Hard things about Hard things.

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